AVATAR Mel Lyman: vol 1 #17 Jan 19-Feb 1, 1968 , SCARCE ITEM, Cult commune

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VIEW MY OTHER ITEMS ON EBAY Welcome to another Great item from SYOTTOYS and thanks for stopping by, after you have looked at this one, why not sit back, grab your favorite drink and spend some time checking out all the wonderful things I have to offer. just click above. but first look below and BID or BUY. really after you BID OR BUY this item, you should check out my other stuff, i probably have thousands of items up, no need to look elsewhere. NOTE: I will always combine items to save you shipping cost. but I DON’T end auctions early, and offers will be ignored if they are not reasonable. DESCRIPTION OF ITEM i show any problems that i noticed THIS IS one of several Mel Lyman related items i am listing, i have most of Avatar and all 3 issues of American Avatar, they are all from the 60’s Fort Hill commune / community from the Boston area, that grew to the size of about 100 followers of the musician Mel Lyman, you can do some research about him and his group on the internet, but if you are looking at this item you probably know about him/them, there is a great research at trussel, that has so much info and examples of i think everything i am listing. it does not appear that this stuff comes up for sale very often. what i have is nice and clean, and as shown. —-this is issue VOL 1, # 17, it is 24 pages including the covers, folded in the middle, the cover art is very cool. some small tears, light wear only. VERY HARD TO FIND. — here is some more about Mel Lyman–from wikipedia–Melvin James Lyman (March 24, 1938 – March 1978) was an American musician, writer, and founder of the Fort Hill Community, which has been variously described as a family, commune or cult. Early lifeLyman grew up in California and Oregon. As a young man, he spent a number of years traveling the country and learning harmonica and banjo from such musicians as Brother Percy Randolph and Obray Ramsey. During a period in the early 1960s, Lyman lived in New York City, where he associated with other artists, filmmakers, musicians and writers. An example of which was his friendship with underground filmmaker Jonas Mekas, which led to the studios of Andy Warhol and Bruce Conner. He learned the art of filmmaking from Conner and made some films with him.Musician“Mel Lyman played harmonica like no one under the sun / Mel Lyman didn’t just play harmonica, he was one. – Landis MacKellar” In 1963 Lyman joined Jim Kweskin’s Boston-based jug band as a banjo and harmonica player. Lyman, once called «the Grand Old Man of the ‘blues’ harmonica in his mid-twenties», is remembered in folk music circles for playing a 20 minute improvisation on the traditional hymn «Rock of Ages» at the end of the 1965 Newport Folk Festival to the riled crowd streaming out after Bob Dylan’s famous appearance with an electric band. Some felt that Lyman, primarily an acoustic musician, was delivering a wordless counterargument to Dylan’s new-found rock direction. Irwin Silber, editor of Sing Out Magazine, wrote that Lyman’s «mournful and lonesome harmonica» provided «the most optimistic note of the evening.»WriterIn 1966, supported and funded by Jonas Mekas, Lyman published his first book, Autobiography of a World Savior, which set out to reformulate spiritual truths and occult history in a new way. In 1971, Lyman published Mirror at the End of the Road, derived from letters he wrote during his formative years, starting in 1958 from his initial attempts to learn and become a musician, through the early 1960s as his life widened and deepened musically and personally. The last entries are from 1966 which simply express the profound joys and deepest losses which defined and gave his life direction and meaning in the years ahead. The key to the book and the life he lived afterwards are stated simply in the dedication at the beginning «To Judy, who made me live with a broken heart».The Lyman Family, The Fort Hill Community and the AvatarIt was his relationship with Judy which brought him to Boston in 1963. Again, Lyman became acquainted with many artists and musicians in the vibrant Boston scene, including Timothy Leary’s group of LSD enthusiasts, IFIF. Lyman was involved for a very short time and, against his wishes, so was Judy. Knowing LSD’s power, he felt she was not ready but, “the bastards at IFIF gave her acid… I told her not to take it. I knew her head couldn’t take it.” Lyman’s fears turned out to be justified and she left college and returned to her parents in Kansas. Lyman was by all accounts very charismatic and later, after Judy had left, a community or family naturally tended to grow up around him. At some point thereafter Lyman began to realize himself as destined for a role as a spiritual force and leader.In 1966, Lyman founded and headed The Lyman Family, also known as The Fort Hill Community, centered in a few houses in the Fort Hill section of Roxbury, then a poor neighborhood of Boston. The Fort Hill Community, to observers in the mid-to-late Sixties, combined some of the outward forms of an urban hippie commune with a neo-transcendentalist socio-spiritual structure centered on Lyman, the friends he had attracted and the large body of his music and writings. Members of Lyman’s Community briefly included the young couple Mark Frechette and Daria Halprin, two non-actors who had been discovered and cast by Italian director Michelangelo Antonioni for the lead roles in his second English-language feature, the 1970 film Zabriskie Point. Although Lyman and the Family shared some attributes with the hippies — prior experimenting with LSD and marijuana and Lyman’s cosmic millennialism — they were not actually hippies either in appearance (female members dressed conservatively and male members wore their hair relatively short by the standards of the era) or beliefs (while Lyman and other Family members had fathered children by different women, polyamory was eschewed in favor of serial monogamy).By the Spring of 1967 the Fort Hill Community had become an established presence in Boston and it, along with members of the wider community in greater Boston and Cambridge, came together to create and publish the Avatar. It contained local news, political and cultural essays, commentary and more personal contributions, writing and photography, from various members of the Fort Hill Community including Lyman. The paper and magazine set new standards in content and design later adopted by more mainstream publications. Throughout the first year of its existence it created what became a national audience and many more people visited Fort Hill at that time, some eventually staying and becoming part of the community.Rather than the gentle and collectivist hippie ethic in other publications of the time, Lyman’s writing in Avatar espoused a philosophy that contained, to some readers of the time, strong currents of megalomania and nihilism and to others a powerful alternative voice to the prevailing ethos.“I am going to reduce everything that stands to rubble / and then I am going to burn the rubble / and then I am going to scatter the ashes / and then maybe SOMEONE will be able to see SOMETHING as it really is / WATCHOUT” After working very intensely on each issue, in the Spring of 1968 the Family gained complete editorial control of Avatar for the final issue of the paper. Later they founded their own magazine, American Avatarwhich continued the editorial directions of the newspaper. Lyman’s writings in these publications brought increased visibility and public reaction both pro and con. His writings, along with others in the publications, could be poetic, philosophical, humorous and confrontational, sometimes simultaneously, as Lyman at various times claimed to be: the living embodiment of Truth, the greatest man in the world, Jesus Christ, and an alien entity sent to Earth in human form by extraterrestrials. Such pronouncements were typically delivered with extreme fervor and liberal use of All Caps.Later developments, and Lyman’s deathOn The Dick Cavett Show in 1970, Mark Frechette said Lyman’s group was not a commune: «It‘s a ‘community’, but the purpose of the community is not communal living. … The community is for one purpose, and that’s to serve Mel Lyman, who is the leader and the founder of that community.»In 1971, Rolling Stone magazine published an extensive cover exposé on the Family by associate editor David Felton. The Rolling Stone report described an authoritarian and dysfunctional environment, including an elite “Karma Squad” of ultra-loyalists to enforce Lyman’s discipline, the Family’s predilection for astrology, and isolation rooms for disobedient Family members. Family members disputed these reports.“The only difference between us and the Manson Family is that we don’t go around preaching peace and love and we haven’t killed anyone, yet. – Jim Kweskin (perhaps in jest)” The Rolling Stone article and the earlier trial of Charles Manson, who seemed to share some traits in common with Lyman, raised the Family’s profile and – whether fairly or not – established Lyman in the public mind as a bizarre and possibly dangerous person.However, in 1973, members of the Family, including Frechette, staged a bank robbery. One member of the Family was killed by police, and Frechette, sentenced to prison, died in a weightlifting accident in jail in 1975.Unlike the Manson Family, Lyman’s did not explode in a dramatic denouement. Rather, the Family took a lower profile and carried on, quietly building on the relationships formed in the turbulent early years. Lyman died in 1978, age 40; the location and cause of death has not been publicly revealed.After Lyman’s death, the Family evolved into a smaller, more conventional extended family. The skills acquired in refurbishing the structures of the Family compound led to the founding of the Fort Hill Construction Company. Although some former Family members have rejected Lyman, current members still revere him. LOCATION– box ( NEWSPAPERS medium size (top of box in bag))

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